Year: 2010
Genre: Adventure
Country: USA
Format: Color
Duration: 103 minutes
Address: M.
Night Shyamalan English title: The Last Airbender Air
Based on the hit Nickelodeon series. Air, Water, Earth and Fire are four nations linked by destiny when the Fire Nation declared a brutal war to other nations. After a century of struggle, there seems no hope that anything can change this environment destruction. Between fighting and courage, he discovers that Aang is the Avatar only with the power to manipulate all four elements. Aang joins Katara, a Water Master, and her brother Sokka to restore the balance in this world plagued by war.
He accepted. Until the last moment had faith in Shyamalan. And after seeing trailers, clips and photos I thought that nothing could go wrong and that Shyamalan had finally managed to break the barriers of the adjustments and had claimed to his followers, but it was not, and after seeing it perpetrated Avatar I have come to one conclusion: we must keep the leaves and pencils out of reach of Shyamalan. The guy is not worthy of being called a screenwriter.
How can someone who has written films like The Sixth Sense, Unbreakable and The Village has wrote the screenplay for The Last Airbender? That can not be explained. Shyamalan was the perfect film, an adaptation of one of the most beloved animated series and perfect of all time where an infinite number of topics were addressed that would make it a good movie. But Shyamalan apparently forgot the highlights of Avatar and decided to show for over an hour repetitive scenes, dialogue and characters that painful pitiful. Four
nations. A brutal war. And a savior who will not accept their role. Basically Shyamalan might take the three points to achieve a decent adaptation, but instead decided to root out key elements of the series where we could see the maturity of it. Shyamalan is clear that the relationship forgot Aang, Katara, Zukko's fears and insecurity of the last master of the air to introduce a whole circus of terrible special effects and many stunts.
can speak ill of all that concerne the creative capacity when Shyamalan to write but the guy is very good with the cameras no doubt, is why the issues The Last Airbender outstanding technical (as compared to that thing called Dragonball: Evolution in which everything, EVERYTHING is wrong), the fights are well timed, well-run pace and changing rooms are excellent, my fingers up to the costumes of the Fire Nation, the only nation that is well reflected. Something that does not occur in the apparatus of the special effects where you make a mistake, although in the series one of the key elements is to control the four elements in their adaptation to the big screen this detail should be the most worked everything but show them when it's all a shame: the water does not seem to get wet and the fire seems to burn, to say nothing of air and earth. If
start talking about the characters and the development of these, few would write lines as all developments without another serious mistake made by Shymalan. Those who follow know how important the series has been the development of each of the characters: Aang, Katara. Sokka, Zuko and Iroh so it is a pity that in his big-screen adaptation has little or nothing is shown about what they really are three four main characters from the first season. Let's start with Aang, the fact that they have chosen a stranger as Noah Ringer is not the problem, the real mistake is to ignore his greatest moments in the series we saw how Aang is not the typical hero, is as human as any other one smiling and very happy child and whom the responsibility of being the new avatar and all that goes with that state their real fear in exchange for adaptation to treatment hardly see a theme Aang different a little more serious. With Katara (Nicola Peltz) and Sokka (Jackson Rathbone) occurs the same characters in the film are different from the series, only Katara and Sokka have dialogues and more seems to be an ornament. But little is saved and leaving aside the little resemblance to their counterparts are encouraged Dev Patel as Shaun Toub as Zuko and Uncle Iroh both achieve some have some good scenes and the uncle-nephew relationship is not right but it worked the best that we saw in the film, especially with the work that was done that I think Iroh is the best character in the TV show. Oh, and do not even want to talk about the disappointment that I caused Appa and Momo.
The Last Airbender is well above Dragonball: Evolution but it's still the worst that could birth Shyamalan's mind, do not know how a guy who began a brilliant career went down fast, really wanted , wished that this film was Shyamalan's triumphant return but is just nonsense tape, a film takes to the race where everything happens so quickly that by the end staying with the feeling that you saw an empty movie without that magic which follows the animated series, in short I felt as if Shyamalan had made a full season of the series have been omitted and pasted the great moments action sequences to give us a tape of the most incoherent and pochoclera I've seen. And no, I'm interested in a second part, I know deep down they ruin characters like Toph and Azula so now notice that I separated completely from Shyamalan, of course thank you for making me excited to continue the series and hopefully get do the same with those who have not seen.
Rating: 2.0/10
How can someone who has written films like The Sixth Sense, Unbreakable and The Village has wrote the screenplay for The Last Airbender? That can not be explained. Shyamalan was the perfect film, an adaptation of one of the most beloved animated series and perfect of all time where an infinite number of topics were addressed that would make it a good movie. But Shyamalan apparently forgot the highlights of Avatar and decided to show for over an hour repetitive scenes, dialogue and characters that painful pitiful. Four
nations. A brutal war. And a savior who will not accept their role. Basically Shyamalan might take the three points to achieve a decent adaptation, but instead decided to root out key elements of the series where we could see the maturity of it. Shyamalan is clear that the relationship forgot Aang, Katara, Zukko's fears and insecurity of the last master of the air to introduce a whole circus of terrible special effects and many stunts.
can speak ill of all that concerne the creative capacity when Shyamalan to write but the guy is very good with the cameras no doubt, is why the issues The Last Airbender outstanding technical (as compared to that thing called Dragonball: Evolution in which everything, EVERYTHING is wrong), the fights are well timed, well-run pace and changing rooms are excellent, my fingers up to the costumes of the Fire Nation, the only nation that is well reflected. Something that does not occur in the apparatus of the special effects where you make a mistake, although in the series one of the key elements is to control the four elements in their adaptation to the big screen this detail should be the most worked everything but show them when it's all a shame: the water does not seem to get wet and the fire seems to burn, to say nothing of air and earth. If
start talking about the characters and the development of these, few would write lines as all developments without another serious mistake made by Shymalan. Those who follow know how important the series has been the development of each of the characters: Aang, Katara. Sokka, Zuko and Iroh so it is a pity that in his big-screen adaptation has little or nothing is shown about what they really are three four main characters from the first season. Let's start with Aang, the fact that they have chosen a stranger as Noah Ringer is not the problem, the real mistake is to ignore his greatest moments in the series we saw how Aang is not the typical hero, is as human as any other one smiling and very happy child and whom the responsibility of being the new avatar and all that goes with that state their real fear in exchange for adaptation to treatment hardly see a theme Aang different a little more serious. With Katara (Nicola Peltz) and Sokka (Jackson Rathbone) occurs the same characters in the film are different from the series, only Katara and Sokka have dialogues and more seems to be an ornament. But little is saved and leaving aside the little resemblance to their counterparts are encouraged Dev Patel as Shaun Toub as Zuko and Uncle Iroh both achieve some have some good scenes and the uncle-nephew relationship is not right but it worked the best that we saw in the film, especially with the work that was done that I think Iroh is the best character in the TV show. Oh, and do not even want to talk about the disappointment that I caused Appa and Momo.
The Last Airbender is well above Dragonball: Evolution but it's still the worst that could birth Shyamalan's mind, do not know how a guy who began a brilliant career went down fast, really wanted , wished that this film was Shyamalan's triumphant return but is just nonsense tape, a film takes to the race where everything happens so quickly that by the end staying with the feeling that you saw an empty movie without that magic which follows the animated series, in short I felt as if Shyamalan had made a full season of the series have been omitted and pasted the great moments action sequences to give us a tape of the most incoherent and pochoclera I've seen. And no, I'm interested in a second part, I know deep down they ruin characters like Toph and Azula so now notice that I separated completely from Shyamalan, of course thank you for making me excited to continue the series and hopefully get do the same with those who have not seen.
Rating: 2.0/10
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